Plunder the Tombs: August 2012

Monday, August 13, 2012

Cocteau Twins – Garlands (4AD, 1982)

Although, much of their material is very beautiful indeed, those only familiar with The Cocteau Twins later work, by which time they’d evolved into what eventually became known as Dream Pop, may well find them difficult to reconcile with anything particularly post-punkish. As with so many other groups, the answer of course requires a trip back to their earlier releases.

Scotland seems not to have produced too many Goth acts back in the day, in fact the only other obvious example that comes to mind is Twisted Nerve with whom Cocteau Twins have approximately nothing in common.

None of this however would stop Cocteau Twins come swirling out of Grangemouth in 1979 with a near-ambient sound that was quite new to any territory post-punk had previously ventured into.

It would be a good three years before their debut album, Garlands would emerge, but when it did, what a beast it was.

Dark. Ambient. Trippy. Dominated by Elizabeth’s haunting vocals that would often just go off doing their own thing, often venturing into lands of glossolalia and neologism. Although “Blood Bitch”, “Wax and Wane” and “But I’m Not” all make an immediate impact on the listener, the entire album is universally engaging, so it seems curious that there were no singles released. Never fear though! Although there may be no official video clips, a rather talented Youtube denizen known as Shum65 has put together a large number of very well made amateur clips whose style suits the Cocteaus perfectly and which we present here to all young boys and girls by way of illustration.

Blood Bitch

Wax and Wane

But I’m Not

Blind Dumb Deaf (Live version - John Peel Session)

Shallow Then Halo

Hollow Men

Garlands

Grail Overfloweth

It’s interesting to reflect on how the Garlands album marked something of a change in direction for album label 4AD which until just a year earlier had been producing quite aggressive post-punk albums like In the Flat Field and Mask by Bauhaus. The also very strong Cocteau Twins’ Lullabies EP followed later that year.

Indeed, Cocteau Twins in their earlier years were actually quite prolific, swiftly rolling out Head Over Heels (4AD, 1983), Sunburst and Snowblind (4AD, 1983), the Peppermint Pig EP (4AD, 1983) which even the band admitted was “shit…a bad mixture, bad song, bad producer, bad band”, Treasure (4AD, 1984) and the immaculate Aikea-Guinea EP (4AD, 1985) as well as a number of singles. For those who just wanted to dip their toes rather than dive right in, much of the best from this early period can be sampled on the extremely fine compilation The Pink Opaque (4AD, 1985).

After this, Cocteau Twins and label 4AD would begin to drift further away from post-punk into ever more ambient territory and more into what would eventually become known as Dream Pop. Along with fellow 4AD label mates Dead Can Dance they would become almost totally responsible for forming the roots of the Goth spin-off genre known as Ethereal Wave.

Throughout the 90’s there were just so many of these type of dark ambient bands; Black Tape For A Blue Girl, Lycia, Love Lies Crushing, et al. more often than not, through the Projekt label. To be quite honest, I never really cared (with the possible exception of Love is Colder Than Death) for this type of Gothic elevator music, but I do love the Cocteaus, and to be fair, when was the last time you released an album that unleashed an entire sub-genre?

I should stop here, but their big indie track “Ice-Blink Luck” from the Heaven or Las Vegas album (4AD, 1990) continues to haunt alternative dance floors every so often, so perhaps we’ll close with the beauty of this.

Ice Blink Luck

Tracklisting:

1. Blood Bitch

2. Wax and Wane

3. But I’m Not

4. Blind Dumb Deaf

5. Shallow Then Halo

6. Hollow Men

7. Garlands

8. Grail Overfloweth

Many later re-issues on CD post 1987 also include tracks from the 1983 John Peel Session including Dear Heart, Hearsay Please, Hazel, Blind Deaf Dumb, Speak No Evil, Perhaps Some Other Aeon.

Line Up: Elizabeth Fraser (vocals), Robin Guthrie (guitar, drum machine), Will Heggie(bass)

http://www.cocteautwins.com/ (official)

http://www.myspace.com/cocteautwinsgothicmusic/music

http://en.wikipedia.org/wiki/Elizabeth_Fraser

http://www.discogs.com/artist/Cocteau+Twins

http://en.wikipedia.org/wiki/Cocteau_Twins

https://www.facebook.com/pages/Cocteau-Twins/61894172575?ref=ts&rf=112659725412872

A Welcome and Introduction

Plunder the Tombs was started back in 2010 by way of looking back on a musical past that I felt in sore need of curation.

It was a strange and sad time when what passed for “Goth” in clubs seemed a pale imitator of what once was, following first a decade of cookie-cutter Sisters of the Nephilim clone bands and then another decade of industrial dance being palmed off to younger audiences as a type of faux goth. When on rare occasion DJs in “Goth” clubs did finally become brave enough to play something like Bauhaus it was not untypical to have the dance floor clear, and it became obvious that the memory, meaning and legacy of much that had gone before had been lost.

It’s probably safe to say that the boundaries of what was “Goth” were never clearly defined. An absolute blessing for those bands on the original scene before it had a name pinned to the donkey, but an outright curse for those who came later and found rules had been imposed to dictate that which was and that which was not acceptable. Worse still was to come in the 90s from a lazy and unquestioning media who simply assumed that anything that wore black and make up was by definition “Goth”, thus allowing all manner of pretenders licence, and maximising confusion as to what the term actually referred to.

This has gone on for way too long and its time is at an end. Neo Post-Punk bands now proliferate across Europe, old long dead Goth bands rise from their crypts in the UK, and new deathrock bands are breeding like rabbits up the west coast of America. It is time to reclaim our scene back from metal bands and ravers in disguise.

While the Plunder the Tombs of old focused on what had gone before, there are now far too many exciting new things to ignore. We roar back to life in a reboot, covering past , present and things yet to come.

Let us plunder the tombs….