No trace of the Taken as Gospel / Haloes and Wings 12" is to be found on line.
Readers will have to enjoy this pic of my own copy taken with my very own hand,
using photographic skills that I optimistically describe as "modest".
And so it comes to pass that I must finally get around to
inspecting a contribution from my own home town.
Ahh! Perth,
Western Australia – home to
countless bland indie-pop bands, embarrassing attempts at public art, and guys
who fly in from the mines every Friday fresh from an intellectually stimulating
week of digging stuff out of the ground.
Oddly enough, it’s also home to a surprisingly large Goth
and Industrial scene.
The number of Goth/Industrial bands who have sprung out of
this cultural backwater are almost legion. Some, like Janco’s Mask or the
infamous Accelerated Men I might get round to reviewing at some point (I probably
won’t though, ‘cause they do happen to be quite good friends of mine and I
rather like getting invited to their soirees.),
And An A however, were something quite different. Much
earlier for starters, and also one of the few Perth bands back then to actually
release something more substantial than a demo tape.
When I saw them it was at what I suspect must have been
their absolute final gig after a long absence at a party in Northbridge of
dubious legality in the very early 90s. They were a two-piece then, and the
Goth and Industrial scenes hadn’t yet fully crossed-over. It created a fairly
unpleasant vibe – the Goth kids sitting and the more dancy Industrial crew
trying to dance over the top of them, screaming “Fuckin’ boring Goths! Get the fuck out of the way!” as fingers,
feet and knees were mercilessly, but rhythmically stomped upon.
At the time though, I had no idea at all how long they and
their synth-driven goth-come-industrial stylings had actually been around for. Unfortunately,
so little of their legacy has been documented anywhere, and such minimal
information exists on their record sleeves that putting this entry together
proved quite a chore, and many thanks are due to the help provided by my
long-term partner in musical crime Mr Brad Smart esq.
Apparently starting up sometime around 1981, the artiness of
And an A must have come as something of a shock to Perth at a time when only cover bands got
gigs. The original band line-up seems to have actually employed real live
drummers, sometimes to beat the crud out of a 44 gallon drum, much to the
horror of uninitiated sound mixers. The drummers, for various reasons didn’t
last and were ultimately replaced by a rather more reliable drum machine.
The comments on a
Worst of Perth entry concerning The Red Parrot- a notorious Perth Nightclub from the 80s, are bizarrely probably the best source of information on And An A currently on
the net, and it is largely from a pair of posters known only as 3am and Elroy
that a number of amusing tales of the band can be found. This tale of knight-errant
Paul Cumming, one of their former drummers, being a fine example:
“When holed up for the night
in Mullawa, a racist spec 100 ks east of Geraldton, he had a conversation with
the publican’s son that went something like this:
Red-haired Publican’s Son: Youse from the city, eh?
Paul
Cumming: Um…yeah.
PRHS:
I went there once. Went to a nightclub
and everything.
PC: Oh…good for you.
PRHS:
Yeah, saw a band.
PC: Oh. OK. Who were they?
PRHS:
I dunno. They were fucking shithouse,
but.
PC: You don’t remember what they were calle…
PRHS:
Ah yeah. Andana
PC: Who?
PRHS:
Andana. Fucking shithouse.
PC: Oh, And An A…yeah, um, I was in that band.
PRHS:
Oh. (Pause). But you weren’t the drummer,
eh? Fucking dickhead was using a ball-peen hammer on a 44-gallon drum!
PC: Um yeah, I was the drummer. That was me.
PRHS:
Oh. (Long pause). Jeez, youse were
fucking shithouse.”
Ah, Western Australia, how do I love thee, let me count the ways (This shouldn't take long)
Moving right along, and we arrive
at the mid 80s with a much more refined outfit and two quite brilliant synth-driven
12”s, the first of which, “Affirmation /
Ambition” is known thanks to Discogs.com to have been released in 1985, and
a second, lesser known “Taken as Gospel /
Haloes and Wings” which we must assume to have been released shortly
thereafter. And An A may not have ever achieved world dominating fame, but even
these days, both Affirmation and Haloes and Wings can occasionally be
heard given a spin in Perth
alternative venues, much to the delight of the old guard.
It does seem quite unreasonable to
accept that all trace of these 12”s magnificence to be left forgotten, so for
this once, I’m going to abandon this blog’s usual policy and actually provide a
download. Both 12”s! Grab ‘em now you lucky lucky people and experience the
long gone joy that was And An A!
Rumour has it that there may have
been a third release, possibly an EP or possibly even a CD, depending on who
you listen to. May have been titled something along the lines of “Earth am Flat, Sun do Move”, but apart from the rather vague link below, history
appears to have erased all trace of it.
Such is…well….death.
Here’s to resurrection.
Lineup:Dave Kelsall, Tony Roncevic, and possibly Nigel Harford (bass)
