For a band who managed to knock out no less than five
full-length albums and had sufficiently decent distribution to see their CDs
make it all the way to isolated little Perth, finding hard information online
concerning these kids is surprisingly difficult. Their CD liner notes aren’t
much help either.
Sleeping Dogs Wake were initially a two piece consisting of
Robert Wilcocks and Karin Sharret, who seems to have had a thing for playing
drums sans shirt, although judging from band promo pics they seem to have
acquired an extra or two as time went on (members that is – how many shirts
Karin eventually owned remains a matter of speculation).
Robert also appears to have some connection to German
Darkwave outfit Girls Under Glass and the more industrial The Cassandra
Complex, although it’s not terribly clear if he was actually a member or not.
Both Robert and Karin also seem to have been involved in a relatively obscure
dance/industrial project known as Cobalt 60.
Originally starting out in 86 or 87, rehearsing in Robert's Camden flat, the Toys for Alice
/ Confined to Memory 12”appeared in 1988 as their first release, and a
thundering unique beastie it was. With the possible exception of a vaguely
passing resemblance to the early electronica of Diamanda Galas, I honestly
can’t think of anything similar that had gone before. Sleeping Dogs Wake
weren’t quite as scary as Diamanda, although the necrophilic imagery of “Toys for Alice ” certainly came close:
“She dropped her gaze,
those lips, those eyes,
I’ve got you at last,
Come closer, come
closer,
Into my web,
I’ll not leave you
living!
I’ll haunt you, I’ll
haunt you!
Till your fresh young
skin
Crawls back off your
skull and the maggots step in.
Toys for Alice !”
The B side “Confined to Memory” presents a considerably more
restrained face of the band, although the vocal dynamics are astounding. It’s a
mournfully beautiful piece of reflections on a dead (or possibly dying?)
relationship. I suspect most of us have been there at some stage or another and
know that empty feeling of wondering what the aftermath will be like and what
will remain. It’s a magnificent break-up song, but I’d certainly be inclined to
leave it until well after said break up.
Mick Mercer seemed to like them, noting Sleeping Dogs Wake
in the summary of Goth History Part 2 (The Gothic Rock Black Book, Omnius
Press, 1988) as one of the new up and coming bands to watch out for.
Two full length albums followed. The first of these was the
exemplary Understanding (One Little Indian, 1989) which included both tracks
from the Toys For Alice 12” and a number of others, often displaying some very odd lyrics. If art-rock is your
thing, it comes highly recommended. Threnody (One Little Indian, 1990) came
next – in a very similar vein from recollection, although it’s been years since
I heard it.
Mick Mercer evidently had a change of heart however, describing
them in Gothic Rock (Pegasus, 1991) as “Godawful
pretentious bilge” which I always thought did Sleeping Dogs Wake material a
terrible disservice.
They popped up again a few years later with Up! (One Little
Indian, 1992) which I can’t claim to have heard, but by this time had added Haggis to their membership, who had previously played bass as a session musician on the Understanding album. Following this, SDW would undergo a complete change
in direction on the utterly brilliant Sugar Kisses (Hyperium, 1993). A much
more laid back approach than SDW had displayed previously, beautifully
dreamlike and whimsical that remains a firm personal favourite to this day.
They made their final full length album with Under the Stars (Hyperium, 1995).
Robert seems to have more recently done some work with German Darkwave outfit
Deine Lakaien on their April Skies album (Capitol, 2005).
I think we’ll close with some brief live footage,
just because I can. The sound quality here is awfully muddy, but I think it makes for interesting viewing nevertheless.
Track Listing:
1. Toys for Alice
2. Confined to Memory
Lineup:
Robert Wilcocks (guitar, sampler, vocals), Karin Sharret
(vocals, drums), other participants including Haggis and Jens Lankniv seem to
have been added from the Up! album onwards.
Many thanks to Haggis for filling in some important gaps in the Sleeping Dogs Wake history.
Thx for the info, I was also looking for something about them today, not even found and article at wikipedia... I still remember those old good days dancing Toys for Alice :)
ReplyDeleteI've just discovered this group and was looking to "toys for alice" and other songs lyrics without any luck. Thanks for posting that TFA extract. Really disturbing and intriguing lyrics!
ReplyDeleteknow where the lyrics to their songs could be found?
Thanks in advance
The CD version of Understanding has the complete lyrics including Toys for Alice in the liner notes, and from distant memory, I think the Threnody CD is much the same. My copy of Sugar Kisses is currently in an unknown location so I can't check, and I've honestly no idea about the Up! or Under the Stars albums.
ReplyDeleteSleeping Dogs Wake will do a single performance of 'Understanding' on the Wave Gotik Treffen in Leipzig (17-20 may 2013)
ReplyDeleteSo I've heard and would desperately love to see it, but the tyranny of distance and whatnot...
DeleteMy understanding is that the performance is an exclusive "one-off" and will focus mostly on material from the Understanding album.
right, the show was the complete Understanding album (+ some additional stuff). Sound/view: outstanding. Some tracks was vcr´d (expect good quality - was done legal).
Delete