Artery actually have a pretty sizeable back catalogue, so it’s almost surprising that they’ve somehow ended up languishing in Obscurity Corner.
Sheffield chaps first
materialised in 1979 from an earlier incarnation with the slightly pretentious
moniker of “The”, before a name change and debuting with the single Mother Moon (Limited Edition Records,
1979), but at this point, although musically compelling, they’re still very
much in the wider post-punk school rather than anything distinctively Goth.
Where things start to get interesting though is their third single “Afterwards / Into the Garden” (Armageddon Records, 1981) and the Oceans EP (Red Flame, 1982) which both contain solid slabs of early Goth Rock, despite the cover art of Oceans challenging that of Red Lorry Yellow Lorry for the coveted crown of “Least Goth Looking Ever”. Although Artery would deny having ever listened to Joy Division, the influence here is difficult to overlook, and these early recordings do seem to bear something resembling a head-on, if joyous, musical car crash between Joy Division and Bauhaus before the resulting wreckage was rear-ended by Killing Joke.
Main man Mark Gouldthourpe had something of a penchant for arty lyrics which occasionally gets the band in trouble, sometimes seeming angst-ridden to the point of being fraught, with resultant unintentional smirking on the listeners’ part. But not to mind – there are far worse thingsto encounter in the musical world, and if songs like “The Clown” and “Ghost of a Small Tour Boat Captain” seem unlikely inclusions, others like “Into the Garden”, “Afterwards” and “The Slide” are more than strong enough to make up for them.
After this though, things would bizarrely mutate, with massive line up changes and the next album “One Afternoon in a Hot Air Balloon” (Red Flame, 1983) largely consisting of of keyboard adventures in the vein of plinky-plonky, honky-tonky and indeed, wonky-donkey. To borrow a phrase of my mother’s; it was all “just a bit twee”, which is a lot nicer than Martin Lilliker’s description “an absolute abomination” (Beats Working for a Living: Sheffield Popular Music 1973-1984 (Juma, 2005)). Liner notes on Artery, Into the Garden – An Artery Collection (Cherry Red, 2006) suggest that the album was virtually a solo project for Gouldthorpe and attempts to tour the new direction in Europe were apparently not well received. It’s probably not to everyone’s taste, and if you happen to be a regular visitor to this blog, chances are that it’s certainly not going to be to yours either.
The beast in question.
Perhaps the title should have been a warning.
Now never let us speak of this again.
Fortunately though, things improve again with The Second Coming album (Golden Dawn, 1984) and harder and stronger 12” releases like A Big Machine (Golden Dawn, 1984) displaying a new Birthday Party-lite sensibility, not to mention a substantial improvement in cover art.
Afterwards (Pleasantly Surprised, 1985), a collection of demos and live reordings followed, before Artery’s last bow, Number Four - Live in
Meanwhile, hop forward to 2009 and under Mark Gouldthorpe’s leadship, Artery have reformed, releasing the Standing Still EP (Phantom Power Records, 2009) followed by the album Civilisation (Twinspeed Records, 2011).
Gosh, but don’t an awful lot of bands seem to be doing this at the moment?
Good luck to them.
Good luck to them.
Dear Mr Gouldthorpe, Actifed were wondering if you were
finished with their gas mask and could they possibly have it back please?
- The Ghost of a Small Tour Boat Captain
- Into the Garden
- The Clown (Studio version)
- Afterwards (remix)
- The Slide
- The Clown (John Peel Session)
- The Sailor Situation
Mark Gouldthourpe, Michael Fidler (vocals, guitars), Neil McKenzie (bass), Simon Hinkler (keyboards), Gary Wilson (drums).